Friday, November 7, 2008

HIT AND RUN

The Hentchmen are a top-notch Rock n' Roll combo from Detroit, Michigan. Their origin dates back to October 1992, when founding members John and Tim, bored with commercial radio, set out to play stripped down, primitive Rock n' Roll. Using the same blunt and essential instruments (organ, guitar and minimal drum kit) as their Sixties Garage/Punk heroes, the boys rebirthed a savage "hit and run" sound that would soon prove to drive the young-at-heart into a feeding frenzy.With their youthful good looks (cited in the "Cute Bands Alert '97" in Seventeen magazine), and clean-cut charm, these able youngsters were soon invited to play several parties and functions as the Hentchmen.Within the first year they had an explosive reputation and a solid fan base in both Detroit and Ann Arbor. In this time, the fellows released their first self-titled and produced seven-inch record. This effort led to a recording contract with Norton Records in New York and landed them many other indie seven-inch agreements. With all the local excitement, the Hentchmen were playing many shows in the Detroit area but decided to tour nationally. These cross-country, short-notice tours are what the gents are best known for as they have been from coast to coast several times.In early 1996 after two full-length albums and half a dozen singles, John and Tim added Mike, former member of the Marquette Book Club, to payroll as their new drummer. Maintaining their reputation as one of Detroit's most prolific bands, the boys tightened up the "Hentch sound" and recorded their junior effort, "Broad Appeal".

The Hentchmen divide their time between brushing up on foreign language skills and preparing a new batches of hits. They have toured Europe several times, and have criss crossed the nation.

Although the Hentchmen will deny any professional affiliation with the future Detroit legend, Jack "Whitey" White, the local social mag, "Sceen Beat" has spotted both parties hangin' out together at several Detroit hotspots recently. This strongly supports rumors that White has been lending his "talents" on sessions for an Italy Records' mini-LP, titled "Gawker Delay". Along with the mini-LP, a more satiating Norton full-length, called "Motorvatin'" will hopefully re-ignite "Hentch Fever" and fans will "Fall" for any new platters!

Thursday, November 6, 2008

BROTHER IS DEAD...BUT THE FLY HAS GONE

Thee Headcoats 1989 - 2000, was a band comprising Billy Childish, Bruce Brand, and Johnny Johnson. Childish was featured on guitar and vocals, Brand on drums and backing vocals, and Johnson on bass. The band was the most prolific of Childish's many musical projects, releasing fourteen full length albums. Formed in Kent, England in the late 1980s, the band was well known for its garage rock sound, explicitly sticking to this format on almost all of their albums. The band's signature sound as well as their prolific writing has been attributed to Childish's love of simple, direct recording. The band has been on multiple labels including Billy's own Hangman Records and Sub Pop.
The band played their final concert on May 12th 2000 at the Dirty Water Club. Billy Childish went on to play with The Buff Medways from 1999 to 2006. His latest group is The Musicians of The British Empire.

DRUM BUDDY DEMO!

WARNING - NO GUITARS!

Mr. Quintron (real name Robert Rolston; born circa 1972, Germany is an American musician and leader of the eponymous one-man-band, "Quintron". He is a celebrated nightclub organist and inventor, who has patented a number of his own inventions and often performs at his own private club, the Spellcaster Lodge, located on St. Claude Avenue in New Orleans’ 9th Ward. He frequently performs with his wife, fellow musician and puppeteer, Panacea Pussycat (also known as Miss Pussycat), co-founder of the 9th Ward's now defunct Pussycat Caverns. Quintron’s most notable invention to date is the Drum Buddy, a mechanically-rotating, five-oscillator, light-activated drum machine.Mr. Quintron is a multi-instrumental one-man-band. During performances, Mr. Quintron utilizes a custom-made Hammond organ/Fender Rhodes synthesizer combo which he has had custom outfitted to resemble the body of a car, complete with working headlights and a license plate which reads “Mr. Q”. Mr. Quintron is often accompanied by The Drum Buddy, a rotating, light-activated analog synthesizer, one of many which he has created and manufactured himself. Mr. Quintron frequently plays multiple instruments simultaneously, the Hammond organ acting as his primary instrument, and the Fender Rhodes supplying bass lines. He can often be seen keeping time on a hi-hat with one foot while toggling between a volume and wah-wah pedal with the other. Mr. Quintron is regularly accompanied by his wife Miss Pussycat, who sings backup and plays maracas.Mr. Quintron has invented a number of innovative musical devices. His first invention was called the 'Spit Machine' a hand organ which used saliva as a tuning conductor. Describing how the apparatus works, Quintron explains that “You had to spit on a stick, like a paint stir stick, and you had two metal leads that you would touch to either end of the line of spit and then you would move the leads closer together - higher pitch - and farther apart - lower pitch. The weird thing is that, the way I built the oscillator, spit was the only thing that I could use as a conducter (sic). Lemon juice was too conductive, water not enough, etc. You actually had a lot of control over the pitch with spit - it wasn’t too sensitive - and could really play it in tune like a real organ. There was also some resistive quality to human spit that gave the oscillator some weird (sic) overtones too.”
His next invention was called the 'Disco Light Machine,' a device which, in his own words, was a “system of pick-ups that you would attach to a drum kit and the sound of the drums would light up a light inside a darkened box and this light would activate electronic sounds to go along with the drums - the harder you played the drums, the brighter the light and the louder the electronic sounds.”
His most notable instrument, however, is the 'Drum Buddy'. The Drum Buddy is a mechanically-rotating, five-oscillator, light-activated drum machine which can either be set to play automatically, or manipulated to create a number of different sound effects. The drum buddy has its own informercial, The Drum Buddy Show, which includes a number of guest appearances and performances by artists such as Quintron, Miss Pussycat, Ernie K-Doe, MC Trachiotomy, and the Drum Buddy Dancers.

Friday, October 31, 2008

COACHWHIPS

Coachwhips were a three-piece noise/punk rock outfit from San Francisco, California formed in 2001. John Dwyer (also of Pink and Brown, Landed, Burmese, The Ohsees, Yikes, The Hospitals) was the guitarist/vocalist. John Harlow played drums and Mary Ann McNamara played keyboard/tambourine and provided backing vocals. In their second incarnation, Val (tronic) played keyboard/tambourine, and Matt Hartman (former guitarist for Cat Power, current drummer for Sic Alps) played drums.
Coachwhips are known for their stripped-down, unpolished garage rock and completely inaudible lyrics, a sound that is similar to The Oblivians and The Gories. Coachwhips played their last show in New York City in late 2005.

HOT STUFF

Led by Brooklyn native and former Count Bishops' Mike Spenser, The Cannibals started a new musical style in the UK which they dubbed "Trash". Back in 1982 they were the first to come up with what they saw as the logical moniker for a new scene that came hot on the heels of the original punk movement (which, by that time, had become stagnated). The Cannibals first put together the legendary Trash Tour with the Cannibals, The Milkshakes (an early band of Mr Billy Childish) and the Stingrays which included a handful of dates around London and a fantastic Night of Trash in Le Havre, France. Besides the numerous headline gigs across the UK and Europe, the Cannibals financed and promoted one short East Coast trip to the States. They have played with the likes of the Cramps, the Heartbreakers, Bo Diddley, the Barracudas and the Nomads. While keeping a low profile these past few years, their name was in the press and on television recently when one of their 45s was found to be in John Peel's box of essential singles. Today,despite having been around since the late seventies, the Cannibals retain the same chaotic, unpredictable and volatile approach to their music - essentially a mixture of classic sixties and seventies garage punk along with their own self-penned numbers. This is the latest and longest surviving line-up of over 15 years standing. They remain the one group that started it all and refuse to go away before blowing people's minds one more time. The Cannibals have 7 albums, 15 singles and one CD to their credit. By the time they come to Valencia they might just be promoting a full album of new stuff which has recently been recorded. The Cannibals are veterans and have begun what is now a healthy garage/trash scene that all over the world bands are doing now what the Cannibals started 30 years ago. With their authentic 60's Vox guitars and their total dedication to creating a wild wall of fuzz, the Cannibals will numb your brain and make you realize that once and for all as the originators and the first to carry the trash flag they deserve everything they get . . They have released " The Brunch Of Cannibals" a compilation of unreleased tracks from the mid 80's for their Japanese fans having toured there successfully in january 2008 .